I took quite a few photo walks, which my fellow shooter, Kevin Brookes, and I often referred too as "photo-parkours", while working on a multi year project in St Louis. This is the last shot I made, on my last trip, and my last last parkour through the city. I think its uplifting, (sorry about the bad pun). There was quite the festival happening in this plaza in the city center with music, the Oscar Meyer Wiener Mobile, and these balloons.
In 1986, while working on my Master's thesis in architecture, I made a research trip to New Delhi. During the near 24 hours of continuous travel I made a brief stop in Frankfurt where I saw, and held, my first Leica camera. As a poor, and married graduate student, I could not afford it, but knew even then that I wanted one. It is hard to believe that it took me 32 years to get one. And even harder to believe is that it was prompted by my desire to return to the simple challenges of making images - reliance only on the exposure triangle and manual focus.
I have a good friend, and excellent photographer, who recently said that he thought I preferred black and white image making over color. I was not sure this was true and in fact a review of my various social media feeds showed that I was probably split down the middle on the use of color versus black and white. I think that what he was referring too was that I tend to push certain types of images into black and white while others go to color. I shoot landscapes predominantly in color whereas my street, architecture, and even my portrait work strays over into black and white. I do not have a formula for all this and the decision often comes down to the type of light I was shooting in and whether the color tones in the shot would convert well to a dramatic black and white conversion.
Seeing light, and understanding its effect in regards to the capture of an image, is something I have endeavored to work on for many years. When I moved from film to digital I struggled to understand how to manage light especially since I had somewhat reached a level of understanding on how to shoot with Fuji Velvia and Provia, and what filters I needed to moderate the process. So a new journey in discovery began. My landscape work has always been a "considered level of fussiness", much like in my film days, and when I attempted to translate this into street and portrait work I found it just not work as well. Or at least I was not satisfied with the treatment and the way I might convey a story.